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instrumentrelationsused on
strings

A string (or stringed) instrument is one that produces sound by means of vibrating strings.

The most common stringed instruments in Western music are those in the violin and guitar families (stringed keboard instruments such as the piano are classified separately).

Stringed instruments are usually categorised by the technique used to produce sound. In order for a stringed instrument to produce sound, its string or strings must vibrate, which can be achieved in several ways:

- plucked - using the finger or thumb or some form of plectrum (e.g. guitar)

- bowed - by drawing a bow across the strings (e.g. cello)

- struck - using a hammer (e.g. dulcimer)

Other methods can include air movement (e.g. aeolian harp), turning a wheel (e.g. hurdy gurdy) and magnetic fields (e.g. e-bow).

A vibrating string on its own makes only a very quiet sound, so stringed instruments are usually constructed in such a way that this sound is coupled to a hollow resonating chamber or soundboard. On the violin, for example, the taut strings pass over a bridge resting on a hollow box. The strings' vibrations are distributed via the bridge and soundpost to all surfaces of the instrument and are thus made louder. Technically speaking, no amplification occurs, since all of the energy to produce sound comes from the vibrating string. What really happens is that the soundboard of the instrument provides a larger surface area to create sound waves than that of the string. A larger vibrating surface moves more air, hence produces a louder sound.

Most stringed instruments can be fitted with piezoelectric or magnetic pickups to convert the string's vibrations into an electrical signal which is amplified and then converted back into sound by loudspeakers.


categories:
(various), chordophone

sub-types:
aeolian harp, arpeggione, bandola, banjo, cello, dilruba, double bass, esraj, fiddle, gittern, guitar, gusle, harp, hurdy gurdy, jarana, lute, mandolin, mouth bow, octavina, rebec, sarangi, sarod, shamisen, sitar, synthesized strings, tambura, tanpura, ukulele, veena, viol, viola, viola da gamba, violin, wind harp, zither
artisttitlemusicianinstrumentyear
Grateful Dead Live at Winterland, 31/12/1971 Jerry Garcia guitar  
Grateful Dead Live at Winterland, 31/12/1971 Bob Weir guitar  
Grateful Dead Live at Winterland, 31/12/1971 Phil Lesh bass guitar  
John Coltrane Blue Train Paul Chambers bass 1957
Miles Davis Kind Of Blue Paul Chambers bass 1959
Charles Mingus Mingus Ah Um Charles Mingus double bass 1959
John Coltrane Giant Steps Paul Chambers bass 1959
John Lee Hooker House Of The Blues John Lee Hooker guitar 1960
Blind Lemon Jefferson Blind Lemon Jefferson Blind Lemon Jefferson guitar 1961
Bill Evans Trio Sunday At The Village Vanguard Scott LaFaro double bass 1961
Sleepy John Estes The Legend Of Sleepy John Estes Sleepy John Estes guitar 1962
Sleepy John Estes The Legend Of Sleepy John Estes Ed Wilkinson bass 1962
Bob Dylan Bob Dylan Bob Dylan guitar 1962
Bill Evans Trio Waltz for Debby Scott LaFaro double bass 1962
Davey Graham The Guitar Player...Plus Davey Graham guitar 1963
Davey Graham The Guitar Player...Plus Alexis Korner guitar 1963
Tom Rush Got A Mind To Ramble Tom Rush guitar 1963
Tom Rush Got A Mind To Ramble Fritz Richmond double bass 1963
Bob Dylan The Freewheelin' Bob Dylan Bob Dylan guitar 1963
The Beatles Please Please Me John Lennon guitar 1963
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